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Images Contre Nature 2007 :::: 122 films
(DTOUR3)2
10mn20   color   sil   2006   France
by Sylvain Legrand

Visuals weavings in variation.

ref : G01001




(flick flight flimsy) Ernest Fenollosa
9mn32   color   stereo   2006   USA
by Ellen Zweig

In the parks in China, people practice Tai Chi, English and Chinese. Each in his language space is trying to see into the other space. Someone is embroidering the Chinese word "wen", which means language or culture. Machines make marks that look like language. A poet and a sinologist talk about Ernest Fenollosa, whose essay, "The Chinese Written Character as a Medium for Poetry" has been an inspiration to poets and an embarrassment to sinologists.

ref : G01002
[ selection 2007 / pr. time ]




...as they pass...
6mn   color   stereo   2006   Austria
by Brigitta Bödenauer

This film is about the concept of memory. Images from the kahlenberg-hotel/vienna are compiled, deconstructed and de-contextualized. Narrative logic of space and time is ignored. A subjective, emotive interpretation causes the evolution from collection to process to product. The intersection of these categories shows the disassociation between lived and narrated experience, being and representing, which is at the heart of our mediated society.

ref : G01003




1/3 (one other three)
7mn   color   stereo   2006   USA
by Chiaki Watanabe

"1/3" consists of one visual source and two sound sources ranging from custom-made electronics to electronic violin effects. It examines ‘sound as image, image as sound’ with visual trigged sound and sound triggered image created through simple basic elements. The intention of this unit is to deconstruct the computer term, “one-bit” with core communication elements, sound and image and then reconstruct it as an art form. "1/3" explores the essence of simplicity as the art of complexity with human-machine interactions. 1/3 uses the expression, "one-bit" as a point of reference along with low-tech materials with high-tech programming to investigate the essence of simplicity and new application of visual music. "1/3" takes live audiovisual media to new limits of depth, dimensions and scale with “one-bit” expression.

ref : G01004




A year
26mn   color   stereo   2006   USA
by Mark Street

A tattered diary film. Middle age concerns swirl around me in Brooklyn and follow to North Carolina, and New Orleans (before the storm) and back home again. Video journal entries mix with 35mm abstract film images, sublime and inviting, suggesting and elegy for celluloid. As friends drift away I retreat into myself. Solipsism beckons, and I stave it off, barely. I contemplate my body falling apart, my kids growing up, changes and disappearances.

ref : G01005
[ selection 2007 / pr. time ]




Ana in aqua tinta
3mn50   color   sil   2006   Netherlands
by Milos Peskir & Vesna Spasic

Approach with one of graphic technique – aqua tint, shows process of layering grain in order to reach figurative live image and in further search find personal relation with exterior through hard recognizing face of somebody… known ?

ref : G01006




Anchestral archetype
17mn   color   stereo   2006   Mexico
by Venus Soberanes

"Anchestral archetype" is a poetic, autobiographical, experimental essay that explores the notions of identity, heritage, death and destiny.

ref : G01007




Androxenia
3mn27   color   sil   2006   Spain
by Moona Martinez Muniz (Joshua Moona)

Inside "Tatawassaeu al mona" & "Androxenia" we find it many human body fragments. These fragments reproduce a arabic architectural geometric. Deconstruction. "Tatawassaeu al mona" soundtrack names "Spending moona" simulates some many exploxions of bombs. This video-compilation "Tatawassaeu al mona" & "Androxeni"a is a reflection about fight existence. The end shows a reconstruction on stars and melody harmony. "Androxenia" performes my own coming out and "Tatwassaeu al mona my own Spending". moona.

ref : G01008




Another Hard Winter
8mn50   color & b/w   stereo   2007   Portugal
by Jonathan Franco

An unstoppable heart beating and the flapping wings of a hummingbird, lead to the thrills of passion that can drive us all towards pleasure, knowledge or peril. Immemorial voyages to the unknown are evocated. Departing and arriving. Conflict and territoriality. Unbalanced relationship between mankind and the surrounding nature is established. Destruction, constant rebuilding and faith are roots to the suspenseful tensions binding areas in transition. The ecotone.

ref : G01009
[ selection 2007 / pr. perception ]




Avenida
6mn49   color   stereo   2006   Portugal
by Carla Lima & Miguel Quental

A drive through Lisbon with a social focus on people.

ref : G01010




Bareback – serial DIScharge
6mn   color   stereo   2007   Germany
by Wilfried Agricola de Cologne

The experimental film tells the story of a homeless person, who lost its identity in all the traumatic experiences it was undergoing. Again, the artist uses the form of the allegorical representation for pointing to essential questions of human existence. All people are homeless in on or the other way, most however, suffer from it without being aware of it.

ref : G01011




Body of war II
4mn37   color   stereo   2007   France
by Isabelle Schneider

War on all tv's. I keep you in mind.

ref : G01012
[ selection 2007 / pr. sense ]




C #3
17mn   color   mono   2007   Canada
by Gary Kibbins

Despite featuring nude hockey players, Cagean music, Ashberian poetry, and wrestlers, this third version of "Brain Worm" is again unable to cast light on the routine mysteries of that Trematode Parasite.

ref : G02013




Burning Love II
3mn50   color   stereo   2005   Norway
by Jorunn Myklebust Syversen

A little boy dressed up as a mix of an eunuch and a geisha is sitting singing and playing the accordion with his father. In some of the scenes the boy has a dog in his lap while he sings and gesticulates. The music in the video is a mixture of norvwegian folkmusic and the boy singing intensely false with improvised texts. There is no traditionnal narration except from the development of the music.

ref : G02014
[ selection 2007 / pr. identity ]




C’est bon pour la morale
1mn   color   mono   2005   France
by Yves-Marie Mahe

Jesus” is not “je suce” !

ref : G02015




Camarades
2mn   color   stereo   2006   Canada
by Marik Boudreau

In 1976, I travelled to the people’s Republic of China with a group of women. At the time I was using Kodachrome 35mm film. "Camarades" is a series of some of these images that have recently resurfaced in my memory.

ref : G02016
[ selection 2007 / pr. sense ]




Can I have 2 minutes of your time ?
2mn   color   stereo   2005   Austria
by Brigitta Bödenauer

Starting from the continuous filming of a clock's display for two minutes, The video was processed in a realtime-programming environment for video. The individual frames were then printed on paper and subsequently redrawn frame by frame in charcoal and oil paint. scanned back, the frames were animated as the final video.

ref : G02017
[ selection 2007 / pr. movement ]




Cellular Activity : TANZ !
12mn30   color   sil   2006   USA
by Neil Ira Needleman

The latest entry in my "Cellular Activity" series, shot at my daughter's ultra-orthodox Jewish wedding. This is NOT the wedding video my family thought they would get. But they should know me by now ! Care to tanz ?

ref : G02018
[ selection 2007 / pr. movement ]




Chez Sacha
1mn44   color   stereo   2006   France
by Christophe Guérin

"At Sacha’s", smart shoemaker, an "au pair" girl tests a pair of yellow boots, but the salesman is not very concentrated because he hears voices.

ref : G02019
[ selection 2007 / pr. sense ]




D-CINÉ (1)
1mn05   color   sil   2006   France
by Sylvain Legrand

Visuals weavings in variation.

ref : G02020




D-CINÉ (2)
7mn29   color   stereo   2006   France
by Sylvain Legrand

Visuals weavings in variation.

ref : G02021




D-CINÉ (3)
7mn44   color   stereo   2006   France
by Sylvain Legrand

Visuals weavings in variation.

ref : G02022
[ selection 2007 / pr. movement ]




Deflection
11mn   color   dolby stereo   2005   Germany
by Erika Matsunami & Antonis Anissegos

"Deflection" consists of variations through optical and acoustic static movements. Footage of natural events exhibiting chaotic behaviour serves as the raw material. Through different temporal manipulations, these visual and acoustic movements become dynamic systems. The original phenomena lose their cognitive value, cause illusions, and arouse associations with elements that have similar patterns of movement. Image and sound are united and link various contents that infinitely superimpose and supplement one another while freely evolving. Everything is interconnected, interrelated, interdependant: every part of the entity is an entity in itself.

ref : G02023




Die wand (trailer diagonale 2005)
1mn   b/w   stereo   2005   Austria
by Brigitta Bödenauer & Michael Strohmann

Film is scratching at... breaking out of... rubbing on... reality/the media... behind, the desire, the wall, the reality , the media, the hand, scratches, at the screen, breaks through, borders, breaks out, from media, into desire, back to reality.

ref : G02024
[ selection 2007 / pr. movement ]




Dire avec les yeux
6mn04   b/w   stereo   2007   France
by Jean-Paul Noguès

Your eyes. Yes, that’s it. Your eyes. It is your eyes that talk to me. Your eyes that tell me what. Your eyes that tell me that. That tell me they talk to me, that tell me they ear me, that tell me they wait for me. Your eyes that look at me. Yes, they are.

ref : G02025
[ selection 2007 / pr. sense ]




Disconnected
3mn   color   stereo   2006   USA
by Karl Lind

A woman sits waiting by the phone while a million tiny hearts break and a lonely song stiltedly plays over and over. Somehow, everything is much more one sided than we would like it to be.

ref : G02026
[ selection 2007 / pr. identity ]




Display
12mn35   color   stereo   2007   Portugal
by Jonathan Franco

A disorganized presentation of photographs and picture frames are the prelude to a confrontation of several layers of interpretations: historical, political, social and sentimental. Homage to immigration and anonymous stories of success, a brief reflection on the effects of colonization illustrated by postal stamps and the transmition of culture thru a ceremonial tribal preparation of a meal, all collide and create a simple intimate display of the fragile beauty of humanity.

ref : G02027




Distortion Projected (La déformation projeté)
4mn50   color   stereo   2005   Germany
by Wilfried Agricola de Cologne

In 1998, Agricola de Cologne became a victim of a terror attack. The video is the attempt to make the traumatic experiences perceivable via metaphoric images on an emotional level. The artist’s voice performing one of his musical compositions uses sound instead of words in order to symbolize the speechlessness and inability of the people surrounding him to react properly.

ref : G02028




Du 4 rue de La Liberté
12mn   color   stereo   2007   France
by Laëtitia Donval

At this adress is my room. Here comes bumping into each other personal and found images from an History that drown the mine. I interrogate my life as a place of permanent angst in relation with the Shoah and fascisms overwhelmed by the anxiety of the present.

ref : G02029




Dubus
4mn09   b/w   stereo   2005   Russia
by Alexei Dmitriev (AV)

A slow dance of the classical cinema to the music of Zelany Rashoho.

ref : G03030
[ selection 2007 / pr. movement ]




Eclipse. Remanence 2
5mn58   color   stereo   2005   France
by Jessica Dalibon

The body needs light, color, movement to be revealed. It becomes luminous intensity and screen in the dreamlike and unconscious projections. Light and color, by attacking (affecting) the body, the landscape, the image as surface, snatch the glance, seize it. They allow to reach another level of the image : its thickness. Torn, damaged, shared between what is and what was, images re-appear, real or fantasized, made by rhythmic and semantic faults. The temporality is flexible : stop on image, slow motion, acceleration, the time is dilated, interrupted, contracted. Frozen, image and body have the possibility of being at the same time as we, to belong to the same temporality.

ref : G03031




Encoded Presence (auto-portrait of E. Puente)
4mn25   color   stereo   2005   United Kingdom
by Michael Takeo Magruder

"Encoded Presence" concerns the re-purposing of the mobile phone from a mundane communication device to a cinematic instrument. A subject was asked to generate cinematic content interpreting the theme “auto-portrait” utilising only a spv c500 smartphone as a recording mechanism.

ref : G03032




Energie !
5mn   b/w   stereo   2007   Germany
by Thorsten Fleisch

The tv/video comes alive by a controlled beam of electrons in the cathode ray tube. For "Energie !" an uncontrolled high voltage discharge of approx. 30000 volts exposes photographic paper which is then arranged in time to create new visual systems of electron organization.

ref : G03033
[ selection 2007 / pr. movement ]




Et puis l'amour
14mn44   color   stereo   2007   Belgium
by Catherine Menoury

To stroke a dog, to caress. To caress as a sign of tenderness. To caress someone with the hand, with the lips, to pamper, to cuddle, to hug, to kiss. To caress, to touch lightly, to skim, to fondle, to pat, to tickle, to titillate, to touch, to paw, to penetrate.

ref : G03034
[ selection 2007 / pr. sense ]




Éveil et initiation
3mn   color   mono   2005   France
by Yves-Marie Mahe

Fuck is not serious. Fuck is only fuck.

ref : G03035




Exploration
18mn45   color   stereo   2006   France
by Johanna Vaude

"Exploration" : scientific images of the inner human body, of the galaxies and the constellations, used and transformed into a poetic journey from the infinitely small to the infinitely big...

ref : G03036
[ selection 2007 / pr. movement ]




Eyew(h)it(e)ness
1mn   b/w   stereo   2005   Netherlands
by Corrine Bot

A white screen with the hardly visible shadow of the two women loving each other...

ref : G03037




eZS : sequenza 1
4mn39   color & b/w   dolby stereo   2006   Italy
by Alessandro Brucini

Elektra’s pain and anger for Agamemnon’s death, suggested by Sylvia Plath’s verses. The sequenza 1 is a non-narrative fragment, taken from medium-length film "elektraZenSuite".

ref : G03038




Filiation
16mn35   color   stereo   2005   Canada
by Elaine Frigon

Inspired by the artis’s uncanny resemblance to her own mother, the poem by Nlligan Before Two Portraits of My Mother, and the TV program about cloning techniques starring Dolly the famous sheep. Filiation seeks to establish a relationship of elements, conveying to the audience feelings of apprehension. Anxiety surrounding when aging meets the fear of becoming a monster. Isn’t watching one’s body as it ages the unbearable reality that the clone will have to face ?

ref : G03039




Flow
4mn52   color   stereo   2006   France
by Yannick Dangin Leconte

Open window, the hurricane , Icarus circles like a vulture.

ref : G03040




For Sore Eyes
2mn17   color   stereo   2006   Sweden
by Anders Weberg

"For Sore Eyes" is another exploration of the ambivalence of the male gaze and gendered (dis)order. It is a suggestive reflection of life in the pyrotechnic, in sanatarium of consumerism freedom. But what is really freedom ?

ref : G03041
[ selection 2007 / pr. identity ]




Free Field
34mn37   color   stereo   2006   Israel
by Liora Belford

Abstractly, a free field is a field which has a unique solution to any given initial data. Mathematically, it is described by linear partial differential equations - an approximated solution. Acoustically, an anechoic space simulates a free field - a representation of a theoretical infinite space in which there is no sound waves reflections. Visually, the free field consists of theoretical infinite pixels space where a 3D panorama is transformed into 2D plot to form a geometrically distorted pixel space.

ref : G04042




Fugue
18mn30   color   stereo   2007   Russia
by Galina Myznikova & Sergey Provorov

The young people who have come to the early music concert instead of taking pleasure from instrument fine sounding, have to struggle with a wind forced by the organ into the music hall. The air streams subjected to musical impulses, run into a listener in spite of his will. Voices are not audible, but they sometimes break through noise of the wind and music. Force of an air influence gives compound psychophysical experiences. Something tries to establish a certain transcendental dialogue which sets in for a moment, but then disappears … At one time the wind accompanied by low monotonous organ noise, brings motionless sitting people to certain unconsciousness, to mad activity: fight is started at the concert.

ref : G04043
[ selection 2007 / pr. identity ]




GaudÍ
2mn40   color   stereo   2006   USA
by Gary Adlestein

Gaudi’s audacious "Sagrada Familia" started in the 1880’s and still a work in progress : a video about the wonder of it. (Director’s choice prize: 07 Black Maria Film & Video Festival).

ref : G04044




Genesis
6mn20   color   stereo   2006   Canada
by Sébastien Pesot

Read by an astronaut from Apollo 8 mission, the video is inspired by a text from the bible which describes the beginning of the universe. The idea of the genesis becomes the motive for a reflection on artistic creation as well as the desire of human beings needing to re-create its environnement.

ref : G04045
[ selection 2007 / pr. space ]




Happy Again
5mn11   color   stereo   2006   USA
by Gregg Biermann

"Happy Again" is a digital age motion study inspired by the chronophotographic work of Etienne-Jules Marey. The signature scene from the Hollywood musical Singin’in the Rain is split into seven layers. Each layer is moving at a different speed and is visible equally in superimposition. At the temporally central point all visual and audio elements coalesce in a single frame. The result uncovers a new cinema, music and dance that are buried within the familiar iconic sequence.

ref : G04046




House of Tomorrow (La maison de demain)
3mn   color   stereo   2005   Germany
by Wilfried Agricola de Cologne

The "House of Tomorrow" is the house of one's identity, it does not need to be a concrete house or building, but represents a secure and protected place where people can stand for what they are and represent, a human being. And this human may have many identities in different fields, the sexual identity represents only one among many others.

ref : G04047
[ selection 2007 / pr. identity ]




Hydro(o) - project edit/2
3mn30   color   stereo   2005   Canada
by Jason Arsenault

"hydr(o)" is a digital drowning taken from a video installation. Conceived as a sequence length shot, this single channel video exploits the feeling of anguish related to hydrophobia.

ref : G04048




IBE.01
2mn32   color   stereo   2006   France
by Yannick Dangin Leconte

Evolution of in broken english.

ref : G04049




IBE.02
2mn32   color   stereo   2006   France
by Yannick Dangin Leconte

Involution of in broken english.

ref : G04050




In the general direction of trinity
7mn25   color   stereo   2005   USA
by Spencer Stair

The camera was pointed in the general direction of the first atomic test site (Trinity), from a nearby location along Interstate 25. I shot it on the 60th anniversary of the explosion. The video is cut in 3 sections and time-lapsed by the passing of red, white and blue cars. (Monitor must be turned 90 degrees clockwise for proper viewing).

ref : G04051




IN.broken.english
1mn40   color   stereo   2006   France
by Yannick Dangin Leconte

The rise of in broken english.

ref : G04052




Infinite Trajectory
12mn23   color & b/w   stereo   2005   Germany
by Christin Bolewski

"Infinite Trajectory" is an audiovisual essay inspired by a text of the French Philosopher Jean Baudrillard dealing with topics of a post-modern society : Electronic mass media collapse space and time barriers in human communication, enabling us to interact and live on a global scale, where we are losing the identity of ourselves and the concept of space.

ref : G04053
[ selection 2007 / pr. perception ]




Infinity Fragment 2
12mn30   color   sil   2006   USA
by Neil Ira Needleman

I believe that when you learn to gaze beyond “practical sight” it is possible to perceive an infinite and timeless vision of color, motion, form, void, texture, and rhythm. This visual stimulation flickers with an invigorating pulse as it morphs slowly from one visual state to another, meandering through time and optical space unhindered by the events and pace of our daily lives.

ref : G04054




Kaizer
10mn19   color   stereo   2006   Japan
by Kotaro Tanaka

Pictures watched in "Kaizer" panorama don't have the notion of the beginning and the ending as they are represented in cycles. In this movie, deformation doesn't mean drawing but is kept as the sign of the motion.

ref : G05055
[ selection 2007 / pr. space ]




L.B. vs. M.E.
11mn   color   stereo   2006   USA
by Matthew Newman-Long

Owl, lighting bolt, sex, decomposing emulsion, hyper.

ref : G05056




Last Request
12mn   color   stereo   2007   USA
by Neil Ira Needleman

Dada was a Dadaist, and that drove him to business. Now, a dying old man, a wildly successful international business tycoon watches one of his free-spirited father’s bizarre videos and talks about his contentious relationship with his late dad. Their relationship was one of art versus commerce ; the love ambiguity and surprise versus the need for order and defined meaning. Then again, this maybe this is just pure gibberish.

ref : G05057
[ selection 2007 / pr. identity ]




Le bonheur
21mn45   color   stereo   2007   Belgium
by Gaël Bentein

Dark man is very bad. I meet him. He calls Pierre Merejkowsky. The second fragment of the third cycle : the becoming, with a gothique suspence, is base on a unulicidable mystery.

ref : G05058
[ selection 2007 / pr. space ]




Le Couple
1mn15   color   stereo   2006   France
by Jimmy Owenns

Video work about the notions of time and couple.

ref : G05059
[ selection 2007 / pr. time ]




Le Dernier Programme
18mn55   color   stereo   2006   Morocco
by Hicham Qaidi

This is a point a view. Midnight passed, it's the begining of delirium, a sleepy man contemplating closely his television and is projected in a world of light and sound, zapping around different midnight programs, letting his soul fade in amazing flood of colors, but at last is he utill awake or couldn't he resist sleep.

ref : G05060




Le soleil et la mort voyagent ensemble
12mn   color & b/w   dolby stereo   2006   France
by Frank Beauvais

“No more colors, no more leaves and no more gazes. Everything has been swamped down in a shapeless disaster. Everything’s wrecked. The only thing left in the middle of a fallen universe is this shack crammed with people relieving themselves. Everything is dead and empty.” George Hyvernaud, "Skin and bones"

ref : G05061




Les Amoureuses
24mn04   b/w   stereo   2006   France
by Jimmy Owenns

Video as a living painting.

ref : G05062




Les liaisons dangereuses
2mn02   b/w   stereo   2006   France
by Jimmy Owenns

Video work about cinematic narration.

ref : G06063




Les Mille et Un Soleils de Pigalle
30mn   color   mono   2007   France
by Marcel Mazé

Experimental documentary. Two young Maghrebins gigolos speak about their repetitive and miserable naugty life in underground botton of Pigalle’s sex shops in Paris. In counterpoint the sordid corridors, gloryholes, and always, pornographic movies. Any affection is banned.

ref : G06064
[ selection 2007 / pr. sense ]




Les Yeux Attachés
8mn26   color   stereo   2006   France
by Benoit Dhennin & Yoann Sanson

After a first collaboration and a film, Benoît Dhennin & Yoann Sanson have tried to change the usual way of making a film. Yoann gave to Benoît a soundtrack from that Benoît have made images. With the electroacoustic music, two years were necessary to let images grow and find their relation with sounds. It is a movement, where the spectator is deeply concerned, between images and music, between is own feelings.

ref : G06065




Let it go
4mn15   color   stereo   2007   France
by Houssam Harfouche

My body is here, my saoul lives elsewhere... words still unfounded.

ref : G06066
[ selection 2007 / pr. time ]




Lettre morte
2mn   color   stereo   2006   France
by France Dubois

Love correspondence.

ref : G06067




Mannequins Harlequin
2mn45   color   stereo   2006   USA
by Jodie Mack

A stroboscopic dance party.

ref : G06068
[ selection 2007 / pr. identity ]




Memoriam (Le Souvenir)
2mn29   color   stereo   2007   USA
by Dan Nadaner

"Memoriam" is a video about loss and the presence of multiple realities in the mind at any one time. It contrasts a torrential storm and an idyllic day, the present and the past, the direct view and the view interpreted by memory and the video apparatus.

ref : G06069
[ selection 2007 / pr. perception ]




Mini-series
11mn47   color   stereo   2007   USA
by Kara Hearn

"Mini-series" is a chain of events drawn from stories, dreams, first-hand experiences, and fantasies. Each scene utilizes the techniques of cinema the simplest possible ways to create narratives that are stripped of everything but the pathos inherent in the medium. The artist worked alone, playing every role and using whatever props and costumes were on hand.

ref : G06070
[ selection 2007 / pr. time ]




Mois
5mn40   color   stereo   2007   France
by Brigitte Perroto

When I was a little girl, I used to write letters to myself in the future.

ref : G06071
[ selection 2007 / pr. time ]




Motion Exercises
9mn20   color   stereo   2006   USA
by Flame Schon

Motion Exercises. Part1 - "Public Service Announcements" - 13 tiny short text "messages" such as come on regular TV programming, then follows the program "Daughter of Dada Returns" the first in a series of new episodes "to be continued" comic book style, bringing my original concept D of D into the present moment.

ref : G06072
[ selection 2007 / pr. perception ]




My ear at night
3mn48   color   stereo   2006   France
by Yannick Dangin Leconte

At night my ear is like crystal I hear the skin stretch, your heart beat.

ref : G06073




Nijuman no borei
10mn   color   stereo   2007   France
by Jean-Gabriel Périot

At last we know it’s time.

ref : G06074




Oil Slick
3mn30   color   mono   2005   France
by Yves-Marie Mahe

Fuck the beach.

ref : G06075




on/off, nos désordres
52mn   b/w   mono   2006   France
by Pierre-Yves Cruaud

I haven’t known war and I ask myself what I can pass on about it or since because it crosses my mind constantly, delivered by the beams of light.

ref : G07076




One to One
3mn33   color   stereo   2006   USA
by Carol Pereira

Two individuals move inside one costume while is performers invite themselves to the dance.

ref : G07077
[ selection 2007 / pr. identity ]




Onion
5mn23   color & b/w   stereo   2006   United Kingdom
by Paul Abbott

A selection of what was noticed over a period time (undermined).

ref : G07078
[ selection 2007 / pr. perception ]




Oprahagogo
5mn30   color   stereo   2005   Australia
by Scott Morrison

When she says yo ! then ladies in the studio "go go go !!"

ref : G07079
[ selection 2007 / pr. identity ]




Paysage avec miroir
7mn   color   stereo   2006   Colombia
by Inés Wickmann

A glance reflected in the mirror is watching the metamorphosis of an intimate, oneiric and underground landscape.

ref : G07080
[ selection 2007 / pr. perception ]




Pedestrians
5mn17   color   stereo   2006   United Kingdom
by Sérgio Cruz

"Pedestrians" is a documentary (video dance) about a subtle observation of an unintentional “dance”, drawing comparisons between dancer (performer) and pedestrian, the universe of pedestrian movements, the spontaneity and the real. I was interested in the observation (voyeurism), being a collector of events, a sort of curator who editing singles out, lines up and shows off events.

ref : G07081
[ selection 2007 / pr. sense ]




Plac
9mn32   color   stereo   2006   Croatia
by Ana Husman

"Plac" is about buying groceries and preparing food for winter. It deals with tendency of the buyers to buy domestic products, considering them thus better those foreign and imported, no matter the method of their cultivation. "Plac" explores people’s behavior during ordinary, everyday shopping on market places.

ref : G07082




Pledge
6mn   color & b/w   stereo   2006   USA
by Ann Steuernagel

"Pledge" is a found footage piece created from a collection of obscure, Vietnam war era documentaries. The material is sadly timeless and provides one with an abstract medium to ruminate about war and, hopefully, peace.

ref : G07083
[ selection 2007 / pr. identity ]




Plus belle en mes pensées
9mn10   color & b/w   stereo   2007   France
by Antoine Miserey

My memories magnified by the time, made more beautiful in my thoughts than their presences had left.

ref : G07084




Porto pour moi
4mn15   color   stereo   2005   France
by Renan Larzul

"Porto pour moi" (Porto for me) is the crossing of a city as a recluse, on a love song of Amalia Rodrigues… The desire of discovering architecture, spaces, colors, atmosphere of streets… offers to the spectator an animated postcard...

ref : G07085
[ selection 2007 / pr. space ]




Pretty little things all waiting to explode...
3mn48   color   stereo   2005   Australia
by Scott Morrison

Focus the energy on the frame, until the frame explodes.

ref : G07086




Propagande
4mn54   color   stereo   2006   France
by Yannick Dangin Leconte

What can we find deep inside the information mud ?

ref : G08087




Psycho(s)
12mn   color & b/w   stereo   2005   China
by Yuk-Yiu IP & ST

"Psycho(s)" is a live remix of Alfred Hitchcok’s Psycho and Gus Van Sant’s remake in 1998. Running on custom software that edits the films in real-time, "Psycho(s)" juxtaposes and condenses the two films that were made almost 40 years apart into a hypnotic stream of mirror images. The images and sounds, drifting in and out of sync, create a perpetual state of cinematic déjà vu that haunts and confuses both the original and its double. "Psycho(s)" recycles the original narratives, forming new poetic associations in an endless cycle of parallel edits.

ref : G08088
[ selection 2007 / pr. perception ]




r.b.w.
9mn   color   stereo   2006   USA
by Chiaki Watanabe

“r.b.w. is a live audiovisual set associated with colors, shapes and forms. The set consists of 3 abstract live visuals that associate with three primary color states; red, blue and white. Based on chromotherapy studies, specific colors bring balance to our physical and emotional systems. Each selected set of three colors(as samples) brings different stimulations and effects. The intention is to investigate how color in motion can alter mood or emotional states similar to music; what certain music has the power to do. Image and sound when pursued with this approach should enhance combination beyond and besides status quo. This is the potential of what can be experienced when image and sound are combined in a live media experiment with psychophysical approach. "r.b.w vol.1" was presented with live EEG (Electroencephalograph) generated sound.

ref : G08089




r.g.b.
7mn20   color   stereo   2006   USA
by Chiaki Watanabe

"r.g.b." is a series of visual music that explores 3 primary colors from video signals; red, green, blue as representation of sound from electronic music with simple geometric shapes and patterns. With sound triggered moving images, "r.g.b." explores "color as sound, sound as color" in minimalist style.

ref : G08090




Regards croisés
29mn   color   stereo   2007   France
by Isabelle Schneider

See what ? Where ? How ? Speed always present... what's left ? Where am I ? Make one 's owm fixed images.

ref : G08091




Ritratto di famiglia (Family portrait)
5mn   color & b/w   stereo   2006   Italy
by Carlo Cagnasso

A man goes out of his house and begins to run. A woman walks along a market. Two children doze on the carpet.

ref : G08092
[ selection 2007 / pr. movement ]




S.O.A.
3mn   color   stereo   2007   Netherlands
by Corrine Bot

Someone searching for something... Creatures moving to the beat of dark, electrinic sounds... Someone going mad...

ref : G08093




Sans statut
2mn19   color   stereo   2006   Canada
by Marik Boudreau

Sounds and slogans were recorded in Paris in 2005 during, among others, a political rally for people without citizenship papers. The video explores the relationship between demonstration and architecture.

ref : G08094
[ selection 2007 / pr. sense ]




Sarajevo
1mn20   color   stereo   2006   France
by Clément Zerbola (Hellaimorth)

Key for the paint of the same name.

ref : G08095
[ selection 2007 / pr. movement ]




Secrètement au bord du monde
2mn50   color   stereo   2007   France
by François Paris

Juxtaposing my felt literary, aesthetic, I compose my video starting from my photographs like a dialogue making the echo with various narrative approaches, where poetry takes precedence over anything else, having for vocation to detect a signifiant and “extraordinary” fitting of the world. A writing of “wavering” through the details of the life, all is pretext with the metaphor and the poetry of the things.

ref : G08096
[ selection 2007 / pr. space ]




Soho
2mn40   b/w   stereo   2006   France
by Christophe Guérin

In a studio of Wardour Street, there is an animated discussion between a young photographer and his model, whose boy friend has some difficulty to understand the signifiance.

ref : G08097




Sönemböör
12mn40   color   stereo   2006   France
by Samuel Bester

Fifth volet of a work started in 1996 on the island Sylt (North Germany) to evoke by image and sound the fragility of the landscape and the feelings we can have regarding a place which disappearance is announced.

ref : G08098
[ selection 2007 / pr. space ]




Still Screen 2
16mn   b/w   sil   2006   USA
by Neil Ira Needleman

An unhurried, muted, abstract, and evocative vision inspired by my favorite Abstract Expressionist painter, Clyfford Still. Adjust the brightness/contrast setting on your monitor so you see the subtle variations in shading. Then sit back, forget your deadlines, and stare into a window where time and change march (slowly) to a different (and silent) drummer.

ref : G08099




Tatawassaue al mona
3mn27   color   stereo   2006   Spain
by Moona Martinez Muniz (Joshua Moona)

Inside "Tatawassaeu al mona" & "Androxenia" we find it many human body fragments. These fragments reproduce a arabic architectural geometric. Deconstruction. "Tatawassaeu al mona" soundtrack names "Spending moona" simulates some many exploxions of bombs. This video-compilation "Tatawassaeu al mona" & "Androxenia" is a reflection about fight existence. The end shows a reconstruction on stars and melody harmony. "Androxenia" performes my own coming out and "Tatwassaeu al mona" my own "Spending moona".

ref : G09100




TGV 231
9mn   color   stereo   2006   France
by Didier Feldmann

"TGV 231" is the conceptual following of "Pacific 231" directed by Jean Mitry in 1949. It’s a travel of the TGV “machine” Paris and Avignon where are mixed figurative, Constructivist and Futurist esthetics. Speed, energy, moves, landscapes, time, frequencies, infrastructures : during this travel the semantical of the distance are combined to give sense and sensations.

ref : G09101
[ selection 2007 / pr. space ]




The beautiful garden
4mn15   color   stereo   2007   Portugal
by Jonathan Franco

The garden that is a mere scenario to five old black and white anonymous photographs, attempts to capture a moment between a father and his three children, assumes now the core of all attentions, becoming dominant in splendour and life. The human issue reveals to be secondary and almost a background. The journey thru nature ends with footage of a garden I believe to be the same one where the pictures were taken decades ago.

ref : G09102
[ selection 2007 / pr. perception ]




The Fortune Cookie
8mn32   b/w   stereo   2006   France
by Jimmy Owenns

Video work about cinematic narration.

ref : G09103




The Museum of Memory
10mn35   color   stereo   2006   USA
by Dan Boord & Luis Valdovino

By using electronic notes from Europe, USA, Latin America and the Middle East, "The Museum of Memory" searches for a homeless referent, the disconnection between the image and its historical world.

ref : G09104




The Towering inferno
5mn03   color   stereo   2006   USA
by Adam Trowbridge

"The Towering inferno" mixes footage from Oliver Stone’s "World Trade Center" (2006) and John Mc Tiernan’s "Die Hard" (1988) to produce a perspective on terror as entertaining action movie.

ref : G09105




Three Sisters
4mn40   color   stereo   2006   Russia
by Galina Myznikova & Sergey Provorov

One more modern art interpretation of the Chekhov’s play Three sisters. Three small sisters balance on the verge of nervous breakdown. The play, performed by them, is just about to end as a drama. But is it only theatre.

ref : G09106




Trains and Dreams (L'imaginaire à la gare)
1mn21   color   stereo   2007   USA
by Dan Nadaner

Train rides and dreams both can involve an escape, a search, or a wandering. This is a video of trains stations, lost days, drifting in the bay, and the persistence of imagery in the mind.

ref : G09107
[ selection 2007 / pr. space ]




Trajet(s)
7mn   color   stereo   2006   France
by Laurent Thivolle

An subject, having newly arrived in Marseille, discovers the city cercle by cercle, starting inside and working ouside !

ref : G09108




Transformation_#1
10mn   color   stereo   2006   Germany
by Erika Matsunami

A nocturnal moon. Transforming every second - those were mysterious moments. A minimalist piece of video and sound based on an interpretation of S. Beckett’s poem Mirlitonnades.

ref : G09109




Two thousand walls (a song for jayyous)
6mn23   color   mono   2006   Belgium
by Peter Snowdon

Night. A terrace on a hillside. Children’s voices. A poem. A song. A fragment of time, a moment out of time. Gostly figures, as if struggling to exist, even here, in their own land. Experimental documenrtary, filmede in the West Bank, occupied Palestinian territories.

ref : G09110
[ selection 2007 / pr. time ]




u.i.p.vol.2
10mn   color   stereo   2005   USA
by Chiaki Watanabe

"U.I.P." is a series of collaborative live audiovisual performance. The pieces are cross-talk between sound modulated abstract graphic animation of geometry patterns with minimalist aesthetics and electro acoustic sound which settled upon a solid commonalty in relationship to the processes and “elemental” materials. Both chiaki and fellow musicians are committed to work from concentrated curtailed pallets of basic material elements at the input stage to make the clearest common vocabulary available for extended fluid real-time conversations in abstract audio and visual expression. Presented at Location One (NY) and the European Media Art Festival (Osnabrück, Germany).

ref : G09111




Un air défaite
3mn30   color   mono   2005   France
by Yves-Marie Mahe

Cool as fuck.”

ref : G09112




Un gars, une fille... et Dieu !
5mn   color   mono   2005   France
by Yves-Marie Mahe

Oh ! my god (miché !)

ref : G09113
[ selection 2007 / pr. sense ]




Under twilight
5mn   color   stereo   2006   France
by Jean-Gabriel Périot

Beauty and/or destruction.

ref : G09114
[ selection 2007 / pr. movement ]




Untitled trilogy
7mn   color   stereo   2005   Norway
by Jorunn Myklebust Syversen

The piece is about language. A mental language, a physical language and a visual language. Foreign languages is used to strenghthen the visual esthetics, the language gets another role than directly communicative. The voices creates an intimate scene. The foreign languages creates a distance to the texts which are intense and disturbingly. It underlines the fiction and the staging of the work.

ref : G09115
[ selection 2007 / pr. identity ]




Urban Surfing
1mn30   color   stereo   2007   Netherlands
by Marina Chernikova

The artist attempts to translate perceived energy (of the city) into energized perception by means of a stream of images in which the spectator has no alternative but to immerse himself completely as into a wave. The generally accepted representation of a city as a homogeneous, clearly structured unified whole gives way to a dynamic, fragmentary and individual perception of the urban environment.

ref : G09116
[ selection 2007 / pr. space ]




Vaisseau fantôme
11mn   color & b/w   stereo   2005   Canada
by Anna Woch & Simone Rapisarda

The impossible return of an immigrant to the country of his chilhood.

ref : G10117
[ selection 2007 / pr. time ]




Vihr
4mn12   color   stereo   2006   Canada
by Nelly-Eve Rajotte

Architectural elements, rain, passers-by on an esplanade-all overlap and intersect against a musical excerpt from Brian Eno's "Music for Airport".

ref : G10118
[ selection 2007 / pr. space ]




Vosges
5mn   color   stereo   2006   France
by Frank Beauvais

Antoine and I met the first week of june 2006. One month later, we were walking in the forest near Eschbourg in Alsace.

ref : G10119




Water in the land of the bird
36mn   color   stereo   2007   USA
by Matthew Newman-Long

Abstract imagery, decomposing emulsion, water, baby.

ref : G10120




We want angel
7mn30   color   stereo   2007   China
by Yuk-Yiu IP & ST

"We want angel" restages the final showdown of Sam Peckinpah’s Western classic the Wild Bunch (1969) as a modern tale of Sisyphus. Running as a real-time loop with custom software, Peckinpah’s heroic bloodbath becomes a psychedelic trip of non-stop shootouts, an eternal orgy of fetishistic self-destruction that borders between the sublime and the mundane. The never-ending cycles of shootings-killings mirror and unwind the obsessive-compulsive disorder of (male) destructive heroism/eroticism that haunts the history of narrative cinema.

ref : G10121




What I saw on October 32, 1988
8mn30   color   mono   2006   USA
by Neil Ira Needleman

October 32, 1988 was a good day to see light, shadow, color, movement, people, buildings, smoke, air, trains, and everything else. I’m glad I witnessed it all with my camcorder at the ready. And I’m happy I rediscovered these images 18 years after I captured them and finally had the time to edit them. This is a brief video poem to be enjoyed on a bright sunny day.

ref : G10122
[ selection 2007 / pr. perception ]






 P'Silo


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