P'Silo

-26°C
2mn21   color   stereo   1999   Australia
by Nicole Neveu

The subconscious mind nurtures evolving layers of communication in the language of movement... in visual seeds and sensual recollections... in the filtering, merging and clarity of memory and meaning... in transition...

ref : A1001
[ selection 2001 / pr. movement ]

2/3 Water
3mn57   color   stereo   2000   Australia
by Nicole Neveu

... the strange and visceral reality of physicality, a torsos internal organ tunnel, kinetics of hands as lovers, serving love offerings... 2/3 Water.

ref : A1002
[ selection 2001 / pr. movement ]

A refutation of Time
8mn16   color   mono   1999   USA
by Dan Boord & Greg Durbin & Luis Valdovino

"Using the device of an extraordinary lengthy piece of anonymous e-mail received by the narrator, the tape describes the kind of collapse of time and space and serendipitous chains of meaning that can occur using search vehicles on the internet. Juxtaposing various personalities including Will Rogers and Jorge Luis Borges; different geographical locations such as stops along Route 66, coincidence becomesmetaphor takes on the ring of truth." Steve Said, Curator, The Pacific Film Archives, Berkeley, California

ref : A1003
[ selection 2001 / pr. time ]

Chaos cathodique
5mn35   color   sil   2001   France
by Laurie Freychet

In this film the visual possibilities offered by the pulsarisation are exploited to a greater extent(but not exhaustively) than in "Pulsar", bringing to the forefront this time the experimental approach of the work. Certain shots therefore voluntarily put the author in a direct relation to his work by setting abyss.

ref : A1004

Chaostrophobie
5mn40   color   mono   1999   France
by Jean-Paul D'Alife

"Chaostrophobie" is an experimental film having as a theme the subconscious. Each image reflects psychoanalytical thesis. The whole can be perceived as a phantasm.

ref : A1005
[ selection 2001 / pr. space ]

Composition lumière/obscurité
1mn20   color & b/w   stereo   2000   France
by Gérome Godet

The fixed shot of a street (old town) gets bombarded with light and sounds repetitive, gets transformed into worrying place, from which a character, seems to try to escape, in vain. In the second half a more playful sound track renews the film, the strange escape of the character appears to us now as a game showing my own jubilation of manipulating sound and images.

ref : A1006

Dark light
4mn55   color   stereo   2000   France
by François Paris

A video work issued from photography and performance, which proposes a meditative look at landscapes, environments and objects.

ref : A1007
[ selection 2001 / pr. movement ]

Dieu est en réparation
15mn   color   mono   2001   France
by Sylvain Frebourg

"Dieu est en réparation"... is my first realization video. It acts upon an agressive confrontation between image and sound. The image haunted by the reflection; this parasite is the visual equivalent of feedback from sound. Their presence in the heart of the film represents the limit; it's when the image and the sound contain that which justifies their existence. This film is therefore the research of theobscurity behind each image and the silence behind each sound. This justifies the film beginning and ending in a cemetery.

ref : A1008
[ selection 2001 / pr. time ]

Fermons les yeux pour voir
16mn   color   mono   1999   France
by Paul Anders

"If one can pass the five fingers through, it is a grid, if not a door. Let us close the eyes to see." James Joyce, Ulysse

ref : A1009
[ selection 2001 / pr. perception ]

Géométrie de l'intuition
3mn   color   stereo   2000   France
by Stéphane Trois Carrés

The images are computer generated. Conceived as digital paintings, they are the elements of research around theories of space. (Topologies, non-Euclidean space).

ref : A1010
[ selection 2001 / pr. space ]

Hirondelle 1
7mn   color   mono   1999   France
by Yann Magnan

Edited images filmed in Super 8, some are not mine, but those of a friend-amateur-sensitive, dead beyond a bridge. These precedent images I wanted to do something with and mix with mine for the emotion of life.

ref : A1011
[ selection 2001 / pr. time ]

Hirondelle 2
6mn   color   mono   1999   France
by Yann Magnan

"Hirondelle 2" is more rigid in its structure, it's a vague stroll in Geneva.

ref : A1012
[ selection 2001 / pr. time ]

Hypothalamus Saturation
2mn16   color   stereo   1999   Australia
by Nicole Neveu

... there are many layers, SELECTION, MUTATION, and REPRODUCTION are the primary techniques that contribute to the process of evolution in this film... the hypothalamus has seven chief homeostatic roles, it is the role of the nuclei involved in biological rhythms and drives, such as the sex drive which are most pertinent here.

ref : A1013

In Vivo
6mn   color & b/w   stereo   2001   France
by Jean-Paul Noguès

Ebb and flow. Fluctuation of the bodies. Unceasing. Fascinating.

ref : A1014

Je ne bouge plus d'ici
1mn30   color   stereo   2000   Canada
by Claudette Lemay

No, I've made my resolution : I'm not moving from here! I'll stay here until I am someone...

ref : A1015
[ selection 2001 / pr. movement ]

Je vis et je dors
6mn   color   mono   2000   France
by Pierre Villemin

We witness the distortion of facial lines due to a left/right head movement,stretching of form to the benefit phantasmagoric life.

ref : A1016

L'Année 2001 est excellente
6mn29   color   mono   2001   France
by Stéphanie Arpage & Laure Chaminas

Mysterious mysticism close to brainwashing, is for your own good. Ordinary poetry dressed in trash sounds for the dance, coloured objects for the experience, a trance of men confined in the same room. This video created with a web-cam transcends everyday space and common places.

ref : A2017

L'Oeil sur la Balançoire
2mn26   color   stereo   2001   France
by Emmanuelle Sarrouy

Eye On The Swing Follow the movement / In the hurry / Of moment. One's gaze come and go / One's eye follow the rythm / Rock'n'Roll. Trying to marry the movement. And one's gaze start dancing.

ref : A2018

La vie mode d'emploi
12mn45   color   mono   2000   France
by Edwige Mandrou

We experienced a intercept functioning like joining, disruption, hypnosis, generators of ideas. The synchronous character of the image and the sound at high speed is essential with the osmosis of hearing and the vision, with the bringing together of time and space. We use a camera amateur, and a technique "round-rise" simple. The video image is treated musicalement (sequences, loops, cuts).

ref : A2019
[ selection 2001 / pr. perception ]

Mamilo
3mn23   b/w   sil   2000   Brazil
by Tatiana Martins de Mello

The video "Mamilo" (bosom) was produced in a very simple and spontaneous fashion. The support is the artist's own body (a theme approached by certain contemporary artists, using electronic means and even information technology). This video is without a doubt the negation of the visual violence produced by the big hollywoodiennes manufacturers of emotions and this appears through the transformations, from the antagonistic states to states of strong sensations.

ref : A2020
[ selection 2001 / pr. movement ]

Opuscules: Op. 1
2mn25   color   stereo   2000   Canada
by Robin Dupuis

"Opuscules: Op. 1" > First of the serie Opuscules, This tapes explore the absence / presence of the electronic signal.

ref : A2021
[ selection 2001 / pr. movement ]

Opuscules: Op. 2
2mn10   color   stereo   2000   Canada
by Robin Dupuis

"Opuscules: Op. 2" > Second of the serie Opuscules, This tapes explore the absence / presence of the electronic signal.

ref : A2022
[ selection 2001 / pr. movement ]

pater noster
3mn40   color   stereo   2001   Germany
by Steph Ketelhut

Four vertical bands with the tone cold and intercalated heats, consisted of labels, appear and disappear in shifted rates/rhythms. One follows the movement twice ascending and twice descendant of open elevators and the to and from of their users.

ref : A2023
[ selection 2001 / pr. perception ]

Pulsar
4mn20   color   stereo   2000   France
by Laurie Freychet

I use la pulsarisation in this film in order to construct an ensemble (of harmonious aspiration)of colours, form and movement, with an aim of aesthetic research and a fascination in report with the plastic value of these luminescent "apparitions".

ref : A2024

Raide
8mn20   color   stereo   2000   France
by Laurence Abraham

A sound band almost more important than the images intersected with black. Impressions ? Outlines which bring on a decisive race : a soldier on a ground of war. That does occur it in its head during and before daring to launch out in a race of attack ?

ref : A2025
[ selection 2001 / pr. space ]

Réminiscences I
19mn   color   stereo   2001   France
by Biétrix Schenk

Work on image and sound as sculpted material, modelled, layers of memories, which spring up : Evokes - Metamorphoses.

ref : A2026
[ selection 2001 / pr. movement ]

Saturation
8mn   color   stereo   2000   USA
by Kara Hearn

Kara Hearn explores the intersection of body and mind with technology and information overload by documenting the "natural" and personal lanscape of urban dreams and reality.

ref : A2027
[ selection 2001 / pr. time ]

Surface Colour
9mn   color   stereo   2000   New Zealand
by Summer Agnew

"Surface Colour" is situated in a conscious space. The landscape, or horizontal, is a form representative of our environment. The lanscape is seen as a concrete homogeneous progressions, with which the events beneath consciousness, the heterogeneous or vertical forms, emerge and intersect, producing simultaneity and the notion of perpetuation of experience.

ref : A2028

Trans(b)leu
22mn   color & b/w   stereo   2000   Canada
by Emmanuel Avenel & Marie-France Giraudon

The winter polar confinement provokes a landscape trance that permits us to create a cosmic territory, to wander it and to become ourselves a little bit of shamans.

ref : A2029
[ selection 2001 / pr. space ]

Vertige
10mn45   color   stereo   2000   Canada
by Isabelle Hayeur

To fall into the ground as inside our thoughts. Vertigo is an anthropological dive, a descent into the heart of ground and history.

ref : A2030
[ selection 2001 / pr. perception ]

Visions
3mn40   color   stereo   2000   Canada
by Joanna Empain

Seeing. The mind transforms. A succession of visions merges together. Contrasted visions that create an harmony in which time stops. Instant of meditation.

ref : A2031